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Tuesday, February 14, 2012

The Question Writing Process

I spent the day writing questions for iLit. As an English teacher I tried to use only questions that I had written. Initially it was because I didn't like anything that I came across, and then as time went on it just became a habit. People often ask how you write questions and I don't think I've ever given a satisfactory answer to the question.

Anyhow, I'm taking a break from the iLit question writing to have a metacognitive moment and write about writing.

New English teachers might be interested in this post if they're wondering how to approach the task. English teachers who already write their own questions might be curious to compare approaches. Here's the approach I use:

1) I read once to get an overall picture of the piece if it's short. I like to immerse myself in it and block out all of my pre-conceptions the first time through. I just want to know what's going on and who's all there and what does this author person want me to see.
2) The I re-read the material slowly, making notes at critical places where I think I can insert an interesting question or places where something revealing but not obvious is happening. I often make questions to draw students attention to these sections as I am reading.
3) I label literary devices (metaphors, similes, analogies, ect.) that have to do with meaning as I go along. These make good questions because you can ask students to unpack and make meaning of them.
4) As I go along I look for opportunities for students to connect and extend. This is one of the hardest things to get a hang of because basically you have to look for the author's intent, try to figure out how the student sees it for the first time, and then ask something leading to get them to sort of come together and go beyond at the same time. Once you get the hang of it this is intuitive.
5) At the end I develop a research question connected to the text. Usually the research grounds the text in the socio-political reality that the text originated from (very Emma LaRoque).
6) I try to develop a question that gets at the big idea or theme of the piece.
7) Sometimes you have to connect the piece to a specific set of standards or have a certain quote of types of questions. This is challenging because at this point it's all been very intuitive and/or inductive where you just go through the text and look for questions to naturally arise. If I have criteria/expectations I review them, then see if any questions I've already developed can be modified to meet the criteria.
8) Up until this point I've somewhat put my own thoughts to the side. At this point I think about the group I'm working with (when applicable), my own ongoing themes in teaching (health and wellness, community connection, indigenous revitalization, personal development, responsibility) and see if there are ways that I can slide some of my own themes into the questions. Usually I select literature based on the extent to which they touch on these items so it's not a struggle to write questions around this.
9) Then I put stuff into chronological order, and review it. There should be a nice mix with a variety of question types. I throw out a lot of questions because once you have a set developed it has to have some coherency otherwise it's just a mess. Then I hit send or post or copy and go back to whatever I was doing before I wrote the questions :) 

So there's my writing process. I'd better get back to the grind, now. If you're done reading this post and wishing you had more to read check out this VDay article on how to date a writer.

Happy Valentines Day!

Happy Valentines Day!

Here's a video you might enjoy :)


<3

Monday, February 13, 2012

AERA! (And request for donations)

So, I registered for AERA which is a big education thing where education researchers come together and talk about, yep, you guessed it, education research!

It's an international conferences and we here in BC are very lucky because it is being hosted in BC this year so attendees will have access to a variety of exciting researchers (sort of) close to home! 

Anyhow, I'll be there as an attendee. If you'll be there too comment or tweet. Maybe we should have a tweetup! Although, I'll be honest, I'm still very 20th Century in that the idea of a tweetup creeps me out a little bit, but maybe I just need to get over that. 

If you would like to support me in my quest to go to AREA and to network and learn from other educational researchers please send a donation via the yellow DONATE button above. I figure with the 5 hour trip to Vancouver, the conference registration, and meals I'm looking at about a $500 price tag for the trip. If I receive $500 in donations I'll post a Kinnie Starr style "The hardest thing about being on tour" video!


Anyhow, time to get back to Monday now... 

Wednesday, February 8, 2012

Sugar Falls - New Aboriginal Graphic Novel on Residential Schools! Study guide/discussion guide/teacher resource

Ai! February. Shortest month of the year but it feels like it goes on forever because it's the month before spring. I think Kinnie Starr, Canada's most beautiful singer, is providing my soundtrack for February. Songs like "Sun Again" remind me that while it's cold and dark out now it hasn't always been cold and dark and it won't always be cold and dark.




Anyhow, I received something in the mail the other day that definitely brightened my day.

Sugar Falls is a new graphic by the brilliant duo David Alexander Robertson and Scott B. Henderson and published by one of my favorite publishers, Portage and Main.

Here's what the publisher says about the book:


A school assignment to interview a residential-school survivor leads Daniel to Betsy, his friend's grandmother, who tells him her story. Abandoned as a young child, Betsy was soon adopted into a loving family. A few short years later, at the age of 8, everything changed. Betsy was taken away to a residential school. There she was forced to endure abuse and indignity, but Betsy recalled the words her father spoke to her at Sugar Falls — words that gave her the resilience, strength, and determination to survive.Sugar Falls is based on the true story of Betty Ross, Elder from Cross Lake First Nation. We wish to achnowledge, with the utmost gratitude, Betty's generosity in sharing her story.A portion of the proceeds from the sale of Sugar Falls goes to support the bursary program for The Helen Betty Osborne Memorial Foundation.


I think the author does an excellent job of handing difficult material. It's important for youth to understand the struggles that Aboriginal people have faced in order to survive and to read survival stories. This is based on a true story and the main character, Betsy, is definitely a role model.

The book includes violence, an accidental death, and what might be perceived as attempted suicide. It also alludes to but does not explicitly portray or describe sexual violence against children. As someone who grew up during a period of hegemonic silence surrounding residential schools I can tell you that not knowing about residential schools is much more damaging than learning about what went on inside of them, especially if you personally witness the residual effects of residential schools on people that you care about. I think that it's an essential part of our healing journey as individuals and as a nation to witness testimony about both the history of and ongoing impacts of residential schools.

I did let my 12 year old son read this book. I would include this book in my classroom at the secondary level. Whether or not you choose to include this material depends on your own ability to navigate the policies in your district regarding difficult material in the classroom and your own comfort level (which needs to be constantly challenged...). I would encourage teachers using this book in the classroom to familiarize students with supports in place in the school and the community for feelings of distress that might arise from the content and if possible co-teach the material with either a community or school counsellor. Processing this stuff is hard work, but it's worth it.

I've come up with a list of thinking questions... I didn't know whether to call it a study guide or teachers resource guide or discussion questions... I think of it more of a springboard for instructional planning.

Here's the list of questions:


1)Many survivors of residential schools stopped speaking their Aboriginal languages when they got out of the schools because they were punished for speaking the language as children. Over time this has led to a drastic decline in the number of speakers of Aboriginal languages. Consider the following questions:
-What should the government do to support the survival of Aboriginal languages?
-What Aboriginal languages were spoken in the territory that you live in? What is being done in your community to support the survival of Aboriginal language?
2) On page 5 Betsy performs a smudging ceremony. Ask an elder or resource person about smudging. If you do not have access to an elder or resource person, search the internet for information. Why are smudges performed? Why do you think Betsy felt it was important to smudge before telling her story?
3) Betsy’s mother was a residential school survivor. How did this impact her relationship with her daughter?
4) On pages 12-13 Betsy’s father describes what the beat of the drum means to their people. Re-read this passage, and then listen to a traditional drumming song either in your community or on the internet. If you must turn to the internet, try to find a type of drumming or song that is traditional to the territory on which you live. For example, if you live in St’at’imc territory, listen to the St’at’imc Constitution Song.  As you listen to the song close your eyes and focus deeply on the drum beat. When the song is over, open your eyes and write down everything that you felt while listening to the drum. How has the knowledge provided in the book changed your experience of hearing the drum beat?
5) Describe how Betsy’s cultural knowledge gives her strength. Can you think of a similar situation in your own life or in another book or in a movie that you have seen where cultural knowledge gives one the strength to endure hardship?
6) Why does Betsy believe that telling others about residential schools makes a difference? Can you think of any other reasons why it’s important for all Canadians to learn about residential schools?
7) By law Aboriginal parents were forced to send their children to residential schools. Using both visual and written information from the text, describe the emotional impact of this policy on Betsy’s father. How would you feel if you knew that your child would suffer at school but you had to send them anyhow?
8) When people learn about the conditions in residential schools they often wonder why the children didn’t run away. In this book, what are the barriers to running away? What are the consequences for running away?
9) Based on the actions of the priest and nuns in the story, describe the schools’ attitudes towards Aboriginal language and culture. How did this attitude influenced the way that Aboriginal children were treated?
10) Dramatize a scene from the book and perform it in front of your peers. Discuss how dramatizing the scene or witnessing the scene gave you more insight into the story.  
 11) Research the author, David Alexander Robertson. What inspires him to write?

This is how I look when I get a book in the mail... yay! New Aboriginal literature which will help educate youth about the history and contemporary realities of Aboriginal people in Canada! PS if anyone  knows David tell him I'm looking forward to his next series!

Tuesday, February 7, 2012

Why every Canadian student needs to learn about Aboriginal peoples' worldviews

So, a question was posed to my supervisor about justifying the study of Aboriginal peoples' worldviews and relationship to the land in grade four. It set me off on a thinking path... if I had all the time in the world to justify the study of Aboriginal peoples' worldviews in public school, how would I explain it. This is sort of what I came up with. It's one of those long rambly rants so just bear with me, or if this is too rambly and you hate the format and are disappointed in the post watch this video of paintings by one of my favorite artists, Bunky Echo Hawk




While reviewing the Strength and Struggle anthology there were a lot of essays on treaty relationships. At first the BC-centric in me was like, "this doesn't apply to us," however, a repeated message in the collection is that Canada is premised on this logic of a treaty relationship and that relationship never ends so long as Canada exists. 

Even though few treaties were signed here in BC, that is the logic upon which the nation was founded on and when BC joined Confederation it became absorbed into this logic. 

Embedded within this treaty relationship is rights and responsibilities. That is, Canadians, in order to access their right to live in Canada, must honour the fact that this land was acquired by Canada through treaty, and thus living on this land embodies responsibilities to Aboriginal people. 

Those responsibilities include the big five (medicine chest, education, health, housing, social services). As citizens, Canadians have an obligation to provide the big five materially, however, as citizens it is also their responsibility to understand the roots of their responsibilities. 

Aboriginal people have rights as a result of this treaty relationship. The right to live on the land, the right to continue rights which they held before contact such as hunting and gathering and living as nations, and the rights to the big five. 

In order to understand their role in a treaty relationship, Canadians should understand that:
  • Aboriginal people are the original inhabitants of this land, and as such, Canada has ongoing legal obligations to them 
  • Canada is in a way founded on concepts of Aboriginal worldview, because while there is ownership (a non-Aboriginal thing), there is an ongoing relationship between non-Aboriginal Canadians and Aboriginal people through the ongoing relationship of non-Aboriginal Canadians to the land 
  • In order for Canadians to truly honour their treaty relationship, they need to have at least a basic understanding of Aboriginal worldview that existed pre-contact and shaped the underlying logic of treaty relationships 
  • learning about the initial events that led to treaty relationships and the worldviews that encompass treaty relationships helps us understand the ongoing relationship between Aboriginal people and non-Aboriginal Canadians 
  • part of being Canadian is that you have an ongoing treaty relationship with ALL of the Aboriginal people in Canada. In curriculum delivery local is good. Local is important. However, it also has to be emphasized that any given Canadian is accountable to all Aboriginal groups because without their participation in treaty relationships Canada as a political and geographical whole could not exist. 

In BC few treaties were signed, thus BC's entry into Confederation was illegal according to Canada's own laws, and in BC we have the messy situation where the logic of a treaty relationship (in return for occupying the land Canada provides the big five) exists, even though the treaty relationship itself is absent. The absence of this treaty relationship is the source of ongoing strife between First Nations and Canada. Non-Aboriginal Canadians and Aboriginal people inherited this ongoing question mark and is still grappling with it.

So, in a nutshell, there's a compelling and rarely articulated argument for why all Canadian students need to learn about Aboriginal worldview.

Additions? Suggested changes? Questions?

Monday, January 30, 2012

The story of the jingle dress

The story behind the jingle dance is one of the coolest ones, and now it's available on youtube!

It's part of Carlton University's Virtual Pow Wow Project. Check it out :)


Saturday, January 28, 2012

Powerpoint from 2009 BCTELA Presentation - Filling the page from the heart: Using emotion to respond to literature

Hey,

Check it out. Here's a powerpoint I did years ago at BCTELA. My supervisor Leyton Schnellert dug it up.

I am revamping it sort of for a different presentation.

It's funny because there are a few things that I'd do differently today, but for the most part I am still the same person. I always worry that I'll go back and look at old work and not even recognize myself in it because my career has rapidly changed from one thing to another. It's comforting, however, to go back and look at old work and know that my core values remain the same.

Anyways, in Saturday class. Lunch break is over. Back to the grind.






Sunday, January 22, 2012

Movie night in Chase - Native American Basketball Movies

Shout out to SD78. I was supposed to do a presentation there on Friday but the conference was cancelled due to freaky weather.

I was in Chase this weekend for stickgames. We didn't place in the tournament but we did well in open games. It was a smaller event but all the die hards were there :)

Then I spent the night at my boyfriend's relatives' house. We got trapped there because a creek flooded the driveway and froze then thawed underneath. All I remember is shovelling ice and being surprised when someone hit asphalt.

It sort of reminded me of Alexis Creek. Whenever I cross the Fraser at Sheep Creek a sense of timelessness takes over. It's like la la land or something. I'm just seduced by the possibility that this is all there is. When I am ready for that kind of state of mind I'm quite happy to just exist in it. It's like the deepest peace you can experience. However, when I am supposed to be packing for an international trip that may or may not happen it kind of drives me crazy because I know once I get into that lull it takes awhile to get out of it again.

Anyhow, last night before we realized we were trapped by a creek we watched TV and I don't have cable at home so that was sort of exciting. We watched Edge of America on APTN. You can watch the trailer here.

It's an American basketball movie where a black coach goes into a New Mexico reservation to teach basketball. His teaching style conflicts with the culture of the community.

There are a few moments that stick out in the movie in respect to how-to-teach, including:
-a player thinks she's been witched, so she has an elder come smudge her in the locker room. The coach comes in, gets mad, and tells everyone to get to practice. When the elder is leaving they say something to him and he tells them to speak English. A teacher who speaks the language tells him that the elder called him "whiteman"
-the coach kicks a girl off the team for getting pregnant
-the girls have a meeting with the coach about the way that he talks to them
I think these moments could be really good discussion points in a teacher training program.

As someone who has been a basketball coach (despite not knowing much about basketball) and taught in a predominantly First Nations school, there were a lot of moments in the movie that made me feel warm and fuzzy. The coach said that he came to teach in that community because he needed to slow down. I can relate to that. There's something special about teaching in a small community. You still work hard, but it's a different vibe... almost the timelessness described above.

In the movie the coach initially has a rather heated conflict with a young man. At the end of the movie, however, the young man helps the coach winterize his trailer. I appreciated how they showed that relationships, especially in small communities, change. From experience I know that just because someone called you a stuck-up b**** in the first week of your teaching doesn't mean that someday they won't trust you to provide them with life advice and file management tips. You just have to stick it out and find some common ground.

I also really liked Irene Bedard's role of interlocutor. I know people like her... people that come from the community where the students are from and work in the schools. If teachers take the time to collaborate with people like Irene Bedard's character they'll quickly improve their effectiveness, however, the willingness to trust the voice of someone inside of the community and the humility to recognize that the worldview you acquired in university may be inappropriate for the setting you work in has to be there.

Those of you who are teaching The Absolutely True Diary of a Part Time Indian might want to share parts of the movie with your class. I've been on a lot of BC reserves, and they have a different vibe than the few American reservations that I've been on and that I've seen on TV. American reservations are larger, and I get the sense that they are more isolated (just a hunch... maybe someone can look it up for me!). American sports are definitely different than what we have in small towns here in BC. Can you imagine having a person who is employed full time by the school to coach girls basketball in a small town in BC? That would be amazing. Because of the structure of American post-secondary education the pressure on athletes to get scholarships is also much greater and this movie certainly conveys that in an emotional way.

I could review this movie in a critical way... but I can't because it makes me really warm and fuzzy inside.

Another good movie is the documentary Rocks with Wings. You can read a review here. It's a similar tale however in this case it's a 13 year documentary. Amazing.

There's another natives/basketball/hardcore coach movie that I saw when I was a kid at my grandparents's house. My uncle really liked it but I can't find it by looking on the internet. If you know what movie I'm talking about feel free to post :) 

Friday, January 20, 2012

Non-convo with the Minister

Our Minister of Education was on Twitter the other day. I was reading about it over at Staffroom Confidential and I thought I'd share my non-convo with him. Here's our non-convo:

Me:
How will #bcedplan integrate Indigenous knowledge and pedagogy into mainstream classrooms?

Many teachers say they wish they know more about Aboriginal education. Will #bcedplan account for this knowledge gap in the teaching populat
____________________
Him: 
@starleigh_grass I share your view. We've got some gr8 new BC history in this area i.e. Dr John Lutz #bcedplan
_____________________
Me: 

@georgeabbottbc So how, then will #bced plan address the lack of knowledge about Aboriginal education among the teaching force?
____________________
Him 

*Insert silence here*
_____________________
An Indigenous teacher who just completed her Masters:

@starleigh_grass ...who is Dr. John Lutz?

____________________

Post game analysis:

1) It's odd that he used gr8 instead of great when he still had 30 characters to work with. As an English teacher I now want to ask him what his opinion is on the importance of conventions and the use of MSN-speak in written work.
2) He didn't answer the question. 
3) I'm sure Dr. Lutz does fine work, but it was a somewhat obscure reference. I think it's very white male to reference another white male when talking about the marginalization of Indigenous knowledge. 
4) This conversation pretty much lived up to my expectations.


*Update - Dr. John Lutz does fine work. I've used one of his websites in my practice. You can learn more about him here http://web.uvic.ca/ocbr/node/826 The minister still didn't answer my question, it's still very white male to reference a white male in a conversation about the marginalization of IK, especially if that's all you have to say about the topic. 

“I belong to the community”: The intersection of race, class, and geography on my perceptions of and decisions in education


Here, dear readers, is another paper excerpt. This one asked us to reflect on the diversity wheel we completed. It's unusual because it contains a lot of personal information. I've removed some parts to preserve other's privacy so it might be choppy in places. 
The most influential elements of my diversity wheel on my education have been and continue to be class, geography, and race. These three elements are interconnected. I am Tsilhqot’in so my roots are rural. Due to government policies which targeted Tsilhqot’in well-being I spent part of my childhood in poverty. Class, geography, and race influenced the educational opportunities that I had and the way that educators perceived me. I don’t want to dwell on the negatives, though, so instead I will focus on how these three factors have influenced my perception of education and how these elements brought me here to UBC Okanagan to pursue my Master of Arts in Education.
I chose a narrative format to tell this story because these three elements are intertwined and unless they are seen in the context of a larger whole they lack resonance. 
When I was born my mom took me home to our tent outside of my grandparent’s cabin in Alexis Creek which didn’t have running water or electricity. As a small child my dad drove a cab in the winter and in the summer we went to the Okanagan with other members of my extended family where we lived in tents or picker shacks and worked in the orchards and vineyards. My parents decided that they couldn’t do this forever and that they didn’t like the life they were living so they both went back to school. My mom got her grade twelve and some university and my dad got a certificate in human services. This was enough to boost our family from poverty to middle class. They raised us with the sincere belief that getting an education is the only way to secure independence and security.
My grandparents were illiterate and before my mom went back to school she only had a grade eight education. As a result of this a lot of employers took advantage of them. The stores in the Chilcotin operate on credit, that is, you can buy items on credit and when your pension comes in the store owner cashes your check and takes their share, however, not all store owners are honest and sometimes they’d take more than they deserved. As my mom increased her education she was able to advocate for my grandparents. I was raised with the understanding that education is a hedge against racial discrimination and employer exploitation.
I have a somewhat paradoxical view of education. On one hand it is necessary for my own survival and I inherently enjoy refining skills such as writing, however, at the same time I am resistant to conformity. My resistance comes in part from my mother’s side of the family who went through residential school. For them education was something that tried to take something from you and it was important not to lose yourself in the process of education. It also comes from spending a lot of time with my grandfather, who some refer to as a societal drop-out because he moved to Anaham Lake a few decades ago and has an unusual lifestyle He is an eccentric man who introduced me to a lot of colorful people and taught me that an unconventional life can be rich and rewarding.
I was brought up with a strong non-conformist bent and struggled with both authority and peer dynamics in high school. After dropping out or getting kicked out from three different schools three years in a row I was placed in an alternate program where I kept my own schedule and completed correspondence courses with the support of Mr. Green. This method of education worked really well for me and I completed my grade ten, eleven, and twelve credits in two years and graduated with honours. 
I graduated from high school and had my son less than a month later. That fall my dad placed a university application in my hands and told me to fill it out. I asked him what I should take. He asked what I wanted to take. I said I didn’t know. He said just take something. So I took a first year English correspondence course which I failed miserably. In the spring I got a letter informing me about fall registration dates and my father gave me a student loan application. When I went to register (this was back when you had to actually show up and stand in line) I had no idea what to take. I was totally lost. I think I chose my courses based on availability. That’s pretty much how I registered for all of my courses during the first few years of university. I didn’t know how to plan my education or how to get guidance in my planning so I took too many electives and not enough core courses. I learned a lot but it took longer than it should have to finish my first degree.
That’s also part of the reason that I acquired a large amount of student debt during my undergraduate degree. As a single parent of a child on the autism spectrum I took a 60% course load for much of my undergraduate studies and didn’t work because it was nearly impossible to find people equipped with the skills to care for a special needs child and my sisters had children at the same time that I did so our family network was already stretched. We didn’t grow up with a lot so I knew how to live on very little and while it was hard it never seemed impossible. As an undergraduate it was difficult sometimes socially to have less money than my peers but I never really fit in to begin with so I took it in stride. At times I felt very isolated, but this connected me to my studies even more, especially when I started studying critical theory.
During my undergraduate in Sociology I met a lot of Indigenous activists and academics from across Canada through my involvement in the NDP and the students’ union. A recurring message that I heard was the need for more Indigenous teachers and faculty so I decided to become I teacher.
I grew up largely in the Okanagan but spent a lot of time in the rural communities of Alexis Creek, Anaham Lake, and Williams Lake. When I went into teaching I decided to stay in the interior and sought employment in a rural community with a large Aboriginal population. My first teaching job was in Lytton and it was a good fit. My second position, District Aboriginal Resource Teacher, spanned the communities of Lytton, Lillooet, Ashcroft, Cache Creek, and Clinton. My third teaching job was in Lillooet.
Spiritually leaving the Okanagan was amazing. I was welcomed into my teaching communities and formed attachments to the land through ceremony and stories.  I discovered a network in the interior of people who are drug and alcohol free and have a life-long commitment to cultural continuity. When my grandparents were alive we had a spiritual connection to our territory, however, when they passed away we spent less time there because the remaining family members do not live on our territory with the exception of one uncle. Some of our traditions are similar to neighboring nations, and the community in Lillooet especially embraced me as one of their own. I began to think more deeply about the spiritual and cultural responsibilities of living in a territory and the obligation to honour the ancestors of the land through ceremony and stories. As I grew in this way I deepened friendships with people here in the Okanagan who had similar values.
I’ve been part of large curriculum development projects and facilitated a lot of professional development workshops, however, over time my faith in the public education system began to wane. Again and again I saw ways in which the ossification of the public school system trumped the needs of Aboriginal learners and communities. I began having terrible flashbacks to my own childhood education where I felt invisible and inferior and my teen years when I lashed out at a system which I perceived to be both callous and unfair. When I entered teaching I thought that I could change public education from the inside, but as an educator I increasingly felt trapped in it so I decided that it was time to leave K-12 education for awhile.
When I was living in Lillooet I was a literacy coach for students who were doing upgrading and university transfer courses through NVIT. I saw how the Lillooet Tribal Council shaped the content and form of these courses, and how education, rather than eroding Indigenous identity, could be a method of enhancing it. In particular, I saw the connection between self-governed post-secondary education and curriculum and pedagogy which served the needs of Aboriginal students and First Nations communities. I became friends with one of the faculty members and she really solidified my commitment to the interior and to community oriented Indigenous education.
 I reflected on the structure of NVIT’s community based satellite campuses. I reflected on my visits to the En’owkin Centre for cultural events. I reflected on my own readings on Indigenous education and presentations that I had seen by academics such as Jeanette Armstrong and Lorna Williams. I saw freedom and hope in self-governed post-secondary education and I decided that I want to be part of it. I also realized that change doesn’t happen, it is built by individuals with a deep commitment to a set of ideals and the ability to work with both community and non-Aboriginal bureaucracies in order to create something concrete out of those ideals. To me the decision to return to university is a step towards becoming one of those individuals by building my own capacity to serve the communities in the interior and work towards positive change.
I will always live in the interior of British Columbia. The cultural network that I belong to here is irreplaceable, and even if I were to try to establish similar relationships somewhere else it wouldn’t be the same because I would always be an ancestral outsider. I will spend the rest of my life living in the interior learning how to live in a way that honors the ancestors by participating in and promoting culture. I belong to community which means that my work as a masters student and beyond is geared towards the community’s well being. As Heath Justice states, being an Indigenous academic is not enough, in my scholarship at every step of the way I have to ask myself “and what will you do for the people?” (2003, p.50). I have a commitment to the communities and people here in the interior that have nurtured me socially, culturally, and spiritually and that is why I am doing my masters in the interior.
Research supports my decision to remain in this place. Drywater-Whitekiller report that students who have strong cultural ties are more likely to be successful in their post-secondary studies (Drywater-Whitekiller, 2010, p.3). Kovach, who wrote a book on Indigenous methodologies geared towards Indigenous graduate students, interviewed Indigenous academics about their work and reported that it is important for Indigenous graduate students to stay grounded in Aboriginal community in order to survive the colonial oppression that can be graduate studies and research (Kovach, 2009, p.56).  
There is a drawback to that commitment, though. Larger universities have more Indigenous faculty and stronger programming in terms of Indigenous education. However, my cultural education is more important than my formal education. If in the long term I wanted to immerse myself in academia and pursue a mainstream career then I would leave the interior. That is not what I want, though. I want to strengthen the cultural ties that I have here. This means that I will have to take a lot of initiative during my masters studies in order to indigenize the courses and that I will have to familiarize myself with Indigenous theories and methodologies on my own time with the support of my supervisor. It is somewhat isolating because there are very few people in my cohort who are familiar with or interested in Indigenous education, however, through cultural events and social media I regularly interact with other masters students or people with masters degrees who specialize in Indigenous education and are excited to engage in dialogue.  


Works cited


Drywater-Whitekiller, V. (2010). Cultural resilience: Voices of Native American students in college retention. The Canadian Journal of Native Studies 30 (1). p1-19.

Heath Justice, D. (2003). Renewing the Fire: Notes Toward the Liberation of English Studies. English Studies in Canada 29 (1-2). p45-54. 

Kovach, M. (2009). Indigenous Methodologies: Characteristics, Conversations, and Contexts. Toronto, Ontario: University of Toronto Press.

Culturally responsive teaching with caveats


I submitted a paper today for a class on diversity and thought dear readers might be interested in this portion of it. 
Throughout my career I have provided leadership in teacher development through workshops, blogging, and resource development. I’ve explored a number of possibilities for addressing this disconnect between white teachers and Aboriginal student populations. I am an advocate of culturally responsive teaching, however, I find that it is limited in its application to teaching in Aboriginal communities. Culturally responsive teaching is a pedagogical and research framework which puts the teacher at the centre of educational transformation. It assumes that by transforming the work of teachers in the classroom society can be changed. As an activist I find this perspective empowering because while I cannot replace every colonial text or drastically change legislation I can build teachers’ pedagogical knowledge and skills by building curriculum resources and providing professional development workshops.
Culturally responsive teaching emphasizes the role of the teacher as cultural organizers, cultural mediators, and orchestrators of social contexts for learning (Gay, 2000). It incorporates diverse cultural representation in instructional materials, recognizes and validates students’ cultural heritage and knowledge, and emphasizes the articulation and affirmation of students’ culture in the classroom (Gay, 2000).
 I am an advocate for culturally responsive teaching, however, I have devised a list of caveats to enhance its effectiveness in Aboriginal communities.
Due to residential schools and a variety of other governmental policies Aboriginal culture is in a delicate state of renewal. Culture right now is being nursed back to life. I like that culturally responsive teaching asks students to bring their culture into the classroom, however, what if that student is unfamiliar with their culture because it is currently in a state of crisis? I think that schools have an obligation to nurture Aboriginal culture, especially since schools have historically played a role in trying to destroy them.
Culturally responsive teaching ignores the degree to which Aboriginal culture has been publicly degraded and the degree to which many Aboriginal students are ashamed of their heritage or hide it to avoid discrimination. I’ve taught many visibly Aboriginal students with Aboriginal last names who claim other Aboriginal students as cousins yet tell me that no, they are not Aboriginal. Even my own son often tells me, “school would be easier if I were blonde.”
If culturally responsive teaching is to be effective, teachers need to understand that because of the history of racism in Canada and the reality of current stereotypes it is a risk to identify as an Aboriginal person. A key element in Canadian colonization has been the systemic and ongoing attempt to annihilate culture and take away the dignity of Aboriginal people (Manyard, 2011, p. 121). As a result of this both Aboriginal and non-Aboriginal students may have misconceptions about Aboriginal people and teachers have a responsibility to address these stereotypes in the classroom (LaRoque, 2002, p.213). A safe environment has to be created by positively acknowledging Aboriginal culture consistently and by providing opportunities to learn about Aboriginal culture in schools even if students do not self-identify as Aboriginal or provide glowing feedback.
Teachers must acknowledge that there is a power imbalance between non-Aboriginal and Aboriginal students and as a result of this power imbalance activities which seek to present intercultural activities in a neutral way can actually be neo-colonial (Gorski, 8). Episkenew cautions that Aboriginal students may be uncomfortable being “the objects of investigation”(2002, p. 153). Unless teachers are aware of these elements culturally responsive teaching, which relies heavily on encouraging students to bring their culture into the classroom, might actually cause Aboriginal students to feel disproportionately pressured to be on display for non-Aboriginal students.
Culturally responsive teaching relies a great deal on students as the means through which teachers learn about students’ cultures, however, if a student is young or if they are in a culture that is in a state of recovery they might not be very helpful in educating the teacher about their culture. In workshops teachers often ask for a primer on Aboriginal culture and protocol so that they have background information on students’ culture in order to be culturally responsive teachers, however, I often cannot give it to them because I only have background knowledge in four First Nations cultures. I tell teachers to go out into Aboriginal communities and participate in events. BC is very diverse when it comes to Aboriginal populations and there is no way that one person or resource could educate a teacher on Aboriginal culture. Even within a particular culture there is a great deal of heterogeneity from community to community.
By going out into communities teachers can also gain perspective on the lives and worldviews of students and honour the students’ identity outside of the classroom rather than seeing it as a barrier to teaching. According to McIntosh, “whites are taught to think of their lives as morally neutral, normative, and average, also ideal…” (2). By participating in Aboriginal communities with the intent of informing their culturally responsive teaching perhaps teachers will be able to overcome this tendency. However, the participation should be mindful of power and privilege, as McIntosh also points out that the nature of oppressiveness is often unconscious and invisible to the oppressor (2).
As a teachers there is only so much we can do to influence their lives outside of the classroom, however, their lives outside of the classroom can inform our practice and ensure that we are not barriers to their success. Culturally responsive teaching is a tool for ensuring that teachers can support students, however, there are factors unique to teaching in Aboriginal contexts which require consideration by the teacher in order to enhance its implementation.




Works cited

Clements, M. (2006). The unnatural and accidental women. Vancouver, BC: Talonbooks.

Egbo, B. (2009). Teaching for Diversity in Canadian Schools. Toronto, Ontario: Pearson Canada Inc.

Episkenew, J. (2002). Socially responsible criticism: Aboriginal literature, ideology, and the literary canon. Creating community: A roundtable on Canadian Aboriginal literature. Penticton, BC: Theytus.  p51-69.

Gay, Geneva. (2000). Culturally responsive teaching: Theory, research, & practice. New York, New York: Teachers College Press.

Gorski, P. C. (2009). Good intentions are not enough: A decolonizing intercultural education. Intercultural Education 19 (6). P515-525. Retrieved from http://www.everettcc.edu/uploadedFiles/Faculty_Staff/TLC/Diversity_Teaching_Lab/intercultural-education.pdf

LaRocque, E. (2002). Teaching Aboriginal literature : The discourse of margins and mainstreams. Creating community: A roundtable on Canadian Aboriginal literature. Penticton, BC: Theytus. 209-234.

Manyard, M. (2011). Fuck the glass ceiling. In J. Yee (Ed.), Feminism for real: Deconstructing the academic industrial complex of feminism (115-126). Ottawa, Ontario: Canadian Centre for Policy Alternatives.

McIntosh, P. (1989). Unpacking the Invisible Backpack. Retrieved from http://www.uakron.edu/dotAsset/1662103.pdf.